Asma’ul-Husna: The 99 Beautiful Names of Allah

Asmaul-Husna: The 99 Beautiful Names of Allah

Beautifully illustrated with Arabic calligraphy, this book reveals the inner meaning of the 99 attributes or duties of Allah (God).

In the Islamic tradition, there are 99 divine names, or attributes of Allah, such as Ya Jabar, The Repairer; Ya Wadud, The Loving; and Ya Waliy, The Nearest Friend. In this wondrous explanation of the 99 beautiful names, each is written in Arabic with English transliterations for ease of pronunciation, and English translations that probe the depth of meaning within each name.

M. R. Bawa Muhaiyaddeen (Ral.) explains how God carries out his 99 virtuous duties, and asks that human beings contemplate the nature of God, praise God, and become living examples of His 99 qualities and actions.

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Love Letters in the Sand: The Love Poems of Khalil Gibran

Love Letters in the Sand: The Love Poems of Khalil Gibran

Optimistic and wise, these love poems convey a mystical certainty of the arrival of love, while dramatizing the search for a soul mate that takes place in daily life, the imagination, and dreams. Inviting reflection on the meaning of love and eloquently rendering the chain of moments that the experience of love leads us through, this famous inspirational poet channels the same proverbial simplicity and lyrical beauty that made his poem “The Prophet” instantly and internationally loved.

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Traces of the Calligrapher: Islamic Calligraphy in Practice, c. 1600-1900 (Museum of Fine Arts, Houston)

Traces of the Calligrapher: Islamic Calligraphy in Practice, c. 1600-1900 (Museum of Fine Arts, Houston)

In Islamic culture, calligraphy has long been considered a quintessential art form. This beautiful writing practice constitutes an expression of piety, and calligraphers are among the most highly esteemed artists. Traces of the Calligrapher portrays the intimate world of the calligrapher during the early modern period of Islamic culture. It brings together the �tools of the trade��works in their own right that are rarely exhibited or published�and the exquisite art made with these functional objects in India, Iran, and Turkey.

 

This richly illustrated and fascinating book presents exceptional works of the 17th through 19th centuries, drawn primarily from an unrivaled private collection. It features pens, pen boxes, chests, tables, paper scissors, knives, burnishers, and book bindings of superb manufacture and design, accompanied by examples of calligraphy that were executed as practice exercise, occasional works, wall hangings, and manuscripts.


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Writing in Ancient Mesopotamia (Writing in the Ancient World)

Writing in Ancient Mesopotamia (Writing in the Ancient World)

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99 Beautiful Names of Allah Coloring Book

99 Beautiful Names of Allah Coloring Book
99 BEAUTIFUL NAMES OF ALLAH COLORING BOOK Arabic Calligraphy Coloring Pages. Enjoy learning more Arabic and the 99 Beautiful Names of God as you fill in these Arabic coloring pages. Each attribute of God is outlined in classical Arabic calligraphy. Gather your colored pencils, crayons, markers or watercolors and get to know the aspects of God. The 99 Names of Allah, also called the 99 Most Beautiful Names of God, are the known attributes and names of God. This is a special group of 99 names and, according to one hadith, is not numbered in any specific way so you will find many numbering versions. There are more than 99 names of God and some of them are hidden from human beings at this time. Every name is written in Arabic on a coloring page with English transliterations for ease in pronunciation. Included are translations of the meanings for each name in this wonderful spiritual tradition. 124 pages, reading level: Ages 5 – 125
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Salaam: Arabic Writing


This is a manual designed to teach American students to master writing in Arabic. Students practice writing in Arabic script while they learn basic vocabulary
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The Calligrapher’s Secret


A new international bestseller from the award-winning author of The Dark Side of Love

In the narrow streets of the old city of Damascus, a rumor is circulating: Nura, the beautiful wife of the famous calligrapher Hamid Farsi, has escaped. Why would she leave behind a life envied by so many? Could it be that she was the victim of a kidnapping by one of her husband’s enemies?

Even as a young man, Hamid Farsi is acclaimed as a master of the art of calligraphy. But as time goes by, he sees that weaknesses in the Arabic language and its script limit its uses in the modern world. In a secret society, he works out schemes for radical reform, never guessing what risks he is running and how far the purists are willing to go to stop him.

His beautiful wife, Nura, is ignorant of the great plans on her husband’s mind. She knows only his cold, avaricious side and so it is no wonder she feels flattered by the attentions of his amusing, lively young apprentice. And so begins a passionate love story–the love of a Muslim woman and a Christian man.
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Les Ouvriers Du Signe (French Edition)


Once upon a time, there was a reed, some paper and some ink. The eye and hand had been very careful with them. There was also a path that seems endless but that might be our own. Once upon a time, there was also a space, an interaction between two letters, an interplay of strength and lines, and a gesture that is much more than a simple technique. Once upon a time, there was also a calligrapher, a master who, for many years, had been happy as a disciple, a craftsman who followed the whims of words and who, in Arabic countries, found his own place…
As the title of this book suggests, it is not a mere overview of the techniques of calligraphy, but a work designed to inform and enlighten. As a journey through this unique art, stopping off at many places to take close looks, this work covers the history of the materials used as well as the men who use them, and is written to be accessible to both those familiar with this calligraphy and those unable to read Arabic. Focusing on the echoes, inherent in Arabic culture, as well as the elements of her own culture, Valere-Marie Marchand gives an objective overview of a millennium-old form of expression. She shows how calligraphic acts relate to time and examines the genesis of pen-strokes and how they are a direct translation of emotions. As an initiatory act, in the widest sense of the term, Arabic calligraphy has inspired many contemporary artists. The final chapter of this book focuses on the links between old and the new artists, and shows that within every artist lies the soul of a calligrapher�
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Islamic Design: A Genius for Geometry (Wooden Books)

An exploration of the construction and meaning of Islamic geometric patterns.
 
Throughout their long history the craft traditions of the Islamic world evolved a multitude of styles applied to a great variety of media but always with unifying factors that make them instantly recognizable. Harmony is central. There are two key aspects to the visual structure of Islamic design–calligraphy using Arabic script (one of the world’s great calligraphic traditions) and abstract ornamentation using a varied but remarkably integrated visual language. Focusing on Islamic geometric patterns, simple and complex, man-made and in nature, this book offers unique insight into Islamic culture.

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Arabic Calligraphy, including: Mir Emad Hassani, Mishkín-qalam, Mir Ali Tabrizi, Yadollah Kaboli Khansari, Jalil Rasouli, Seyed Jafar Kashfi, Ibn … Ali Adjalli, Zeinolabedin Mahallati

Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book contains chapters focused on Arabic calligraphy, Calligraphers of Arabic script, Iranian calligraphers, Iraqi calligraphers, and Syrian calligraphers.

More info: Islamic calligraphy, colloquially known as Arabic calligraphy, is the artistic practice of handwriting, or calligraphy, and by extension, of bookmaking, in the lands sharing a common Islamic cultural heritage. This art form is based on the Arabic script, which for a long time was used by all Muslims in their respective languages. They used it to represent God because they denied representing God with images. Calligraphy is especially revered among Islamic arts since it was the primary means for the preservation of the Qur’an. Suspicion of figurative art as idolatrous led to calligraphy and abstract depictions becoming a major form of artistic expression in Islamic cultures, especially in religious contexts. The work of calligraphers was collected and appreciated.
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Best review for Arabic Calligraphy, including: Mir Emad Hassani, Mishkín-qalam, Mir Ali Tabrizi, Yadollah Kaboli Khansari, Jalil Rasouli, Seyed Jafar Kashfi, Ibn … Ali Adjalli, Zeinolabedin Mahallati